April 13, 2005
Exuberant = public drunkeness
From Page Six:
Kathleen Turner, who is knocking them dead on Broadway as dipsomaniacal Martha in "Who's Afraid of Virginia Woolf?," gave an eerily similar high-spirited performance on Monday as co-host of the American Theater Wing tribute to Viacom co-CEO/CBS chairman Les Moonves.
"When Turner arrived at Cipriani 42nd Street and did a photo op with Jessica Lange and Billy Crystal, she was already exuberant," laughed one guest.
Organizers took Turner outside for some air and tall glasses of water before she took the stage. Then, co-host Richard Thomas had to steady her as she growled and hissed her way through the program. "She almost licked his face," said one witness. A tablemate exclaimed to legendary designer Donald Brooks: "My God, she's seducing him." At one point, when her script referred to Moonves' dedication to the arts, Turner ad-libbed, "Maybe he's just in it for the money." The flippant gibe drew a dead silence.
April 12, 2005
Sister Janet Mead
While listening to the “rock” version of “The Lord’s Prayer,” I was remembering how my 2nd grade self mistakenly thought it was being sung by Sally Field, since she was The Flying Nun. And then it hit me: There sure were an awful lot of religious hits in the hedonistic 70s!
Without thinking (or researching) too hard, here’s a short, chronological list of 1970s Jesus tunes that made Billboard’s Top 40:
“Spirit in the Sky” – Norman Greenbaum
1970, reached #3
“My Sweet Lord” – George Harrison
1970, reached #1
“Put Your Hand in the Hand” – Ocean
1971, reached #2
“Speak to the Sky” – Rick Springfield
1972, reached #14
“Jesus is Just Alright” – Doobie Brothers
1973, reached #35
“The Lord’s Prayer” – Sister Janet Meade
1974, reached #4
There’s also the volcanic impact of Jesus Christ Superstar. As an album released in 1970, it sold 3 million copies before it became a Broadway hit in October 1971, which ran until it became a hit movie in August 1973. Since church attendance sharply declined in the 70s, most of us school kids knew the story of Our Lord only because of this rock opera, and though it may be a strange thing mystifying, we’re cool with that.
It’s been well documented how and why America was so disillusioned and decadent in the 1970s. But we had a heaping handful of Jesus-Specific Top 40 hits in the 4 years before President Nixon imploded our country. After August 1974, I suppose we were too busy crucifying our faith in government to bother with pop hymns.
Looking back, rather than religious beliefs, it used to be that your political party was decided by whether you were a union or non-union worker, and how your family had always voted.
As far as 20th century presidents and religion went, John F. Kennedy was noteworthy as the first Catholic president, and Jimmy Carter was vocal and proud of his religious faith. They were Democrats. Nixon helped reveal the Republican party as Beelzebub’s henchmen, and President Reagan’s religion was downplayed because he’d been divorced.
Somewhere along the way, abortion rights became a political football, so teams divided up at the 50 yard line. The somewhat previously pious Democrats were marked Godless because they chose women’s rights, while the Republicans gained a piety they’d never had by siding with the Evangelicals’ interpretation of God’s word. They also learned that, if handled properly, this position produced strong campaign contributions and voter turnout.
If you believe the tales as spun by the current administration and its media outlets, America has been a moral Christian majority for 5+ years. If so, where are the Jesus Specific mainstream chart hits? Well, Sheryl Crow had a Top 40 hit in 2004 with “Light in Your Eyes,” in which “One” is Biblically capitalized (and references Harrison’s “My Sweet Lord” in a guitar break). She is a notorious and vocal Democrat.
Song titles on Christian Rock and Christian Adult Contemporary charts are certainly specific. But when a Christian act decides to go for the lucrative mainstream audience, they achieve their peak sales success by erasing all overt religious references (Jars of Clay) while also downplaying their Christian background (Creed), or they avoid the hypocrisy by going completely secular (Sixpence None The Richer).
If our current society is as genuinely religious as portrayed, there should be a glut of forthright and proud declarations of Lord love all over commercial radio, much like there was in the years before President Nixon. In truth, until our government comes back around to honoring the founding principal of our country, separation of church and state safely resides on the pop charts.